彩色的英国铁路帝国1

简介：

从海洋到陆地，地球的每个角落都充满垃圾。《它从未在此》是一部关于垃圾的电影，它展示了我们的家园深受垃圾的危害，这些垃圾随着人类足迹甚至去到了地球上最偏远的地方。

简介：

    《邪教之女》将于1月4日开播，这部五集剧集深入探讨了摩门教原教旨主义邪教分支成员的历史。该组织成员数十年来以狂热先知埃维尔·勒巴伦的名义，犯下了致命的暴力和虐待罪行。勒巴伦和他的追随者被称为“摩门曼森”，他们在美国西南部和墨西哥各地隐匿。如今，这个臭名昭著的邪教的前成员讲述了一系列凶杀罪行背后的真实故事。剧集采访了幸存的前成员，包括勒巴伦的多名子女，他们讲述了在父亲统治下成长的经历。来自亲属和参与谋杀案的执法人员的全新见解，描绘了一幅令人毛骨悚然的画面：一个残暴的疯子下令冷血处决。

简介：

这部引人入胜的纪录片聚焦马克·卡文迪什，讲述了这名职业自行车手的飞速崛起、悲惨坠落，以及不可思议的东山再起

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　　纪录片《布达拉宫》第二季由新颜、节日、印记、公主、白宫、红宫、回望等7个篇章组成，通过对神话传说、历史文献文物、工匠精神等多维度的解读，向人们展示一个真实立体的布达拉宫。从布达拉宫西大殿、圣观音殿、法王洞等20余处宫殿和附属建筑，到罗布林卡、桑珠孜宗堡、萨迦寺等10余处古代建筑和寺庙的一一呈现，再到唐太宗“六难婚史”、五世达赖喇嘛重建布达拉宫等30多个传奇人物故事的生动讲述，透过《布达拉宫》第二季的镜头，观众将走进布达拉宫那些尚未开放的神秘区域, 打开尘封于岁月深处的历史长卷，伴随着诗意而富有哲理的解说词，沉浸式领略布达拉宫的独特魅力与恢宏气势。

简介：

　　The Search for a lost film from the 70s takes a young man from one of South America's largest indigenous communities on an existential journey in a post-colonial film about the right to one's own image.
　　In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.
　　

简介：

《久石譲in武道馆 ～宫崎アニメと共に歩んだ25年间～》于08年8月5日在日本武道馆举行。曲目全部取材于25年来为宫崎骏动画写的配乐，并由久石让亲自上台指挥和弹奏，配以200人交响乐团和800人的合唱团，份量十足。                                                                      　　久石让的演绎总给人很亲切的感觉。音乐会中久石让用了几个学校的管乐队穿插在会场之间演绎《天空之城》的主题曲，很有创意，之后更亲自用钢琴搭配乐队中的长号圆号和SAXPHONE以JAZZ的风格演绎《飞天红猪侠》的插曲，别有一番风味。除此之外还有小提琴手Yasushi Toyoshima拉奏《魔女宅急便》的主题曲，红衣小女孩演唱《崖上的金鱼》主题曲，平原绫香演唱《千与千寻》主题曲都很动听。                                                                      　　久石让很会拿捏音乐中的感情，而整场音乐会无论是指挥还是弹琴，都看得出他很用心而且很享受，这让他的音乐变得很有感染力。极力推荐各位听听这场音乐会，那久违的童真打动的不只是耳朵，更是心灵。                                                                      　　曲目:                                                                      　　01. 风の伝説 (风之谷)                                                                      　　02. ナウシカ レクイエム (风之谷)                                                                      　　03. メーヴェとコルベットの戦い (风之谷)                                                                      　　04. 远い日々 (风之谷)                                                                      　　05. 鸟の人 (风之谷)                                                                      　　06. アシタカせっき (风之谷)                                                                      　　07. タタリ神 (幽灵公主)                                                                      　　08. もののけ姫 (幽灵公主)                                                                      　　09. 海の见える街 (幽灵公主)                                                                      　　10. 伤心のキキ (魔女宅急便)                                                                      　　11. かあさんのホウキ (魔女宅急便)                                                                      　　12. 深海牧场 (魔女宅急便)                                                                      　　13. 海のおかあさん (山崖上的金鱼姬)                                                                      　　14. 波の鱼のポニョ (山崖上的金鱼姬)                                                                      　　15. フジモトのテーマ (山崖上的金鱼姬)                                                                      　　16. ひまわりの家の轮舞曲 (山崖上的金鱼姬)                                                                      　　17. 母の爱 (山崖上的金鱼姬)                                                                      　　18. いもうと达の活跃 (山崖上的金鱼姬)                                                                      　　19. 母と海の讃歌 (山崖上的金鱼姬)                                                                      　　20. 崖の上のポニョ (山崖上的金鱼姬)                                                                      　　21. ハトと少年 (山崖上的金鱼姬)                                                                      　　22. 君をのせて (天空之城)                                                                      　　23. 大树 (天空之城)                                                                      　　24 帰らざる日々 (红猪)                                                                      　　25. 人生のメリーゴーランド (哈尔的移动城堡)                                                                      　　26. Cave Of Mind (哈尔的移动城堡)                                                                      　　27. Merry-go-round                                                                      　　28. いのちの名前 (千与千寻)                                                                      　　29. ふたたび (千与千寻)                                                                      　　30. 风のとおり道 (龙猫)                                                                      　　31. さんぽ (龙猫)                                                                      　　32. となりのトトロ (龙猫)                                                                      　　33. アシタカとサン (幽灵公主)

简介：

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

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　　Two Fearless Men Getting Stung and Bit by the Most Dangerous Animals in the World to Create the Ultimate Guide to Measuring Pain.

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29岁的格兰特·阿马托 (Grant Amato) 因在2019年谋杀自己的母亲、父亲和兄弟而被判有罪。

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　　The acclaimed series shifts to Independence Community College in Kansas, where a tough-as-nails coach attempts to rebuild a struggling program.

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一部关于激进组织巴勒斯坦行动的纪录片。

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